Showing posts with label Jane Harvey-Berrick. Show all posts
Showing posts with label Jane Harvey-Berrick. Show all posts

Sunday, October 8, 2017

Battle Scars by Jane Harvey-Berrick

 





From the dusty plains of Afghanistan to the sleek corridors of the New York Times, journalist MJ Buckman seeks the truth, the whole truth, and nothing but the truth. What she doesn’t expect to find is a man who’s her complete opposite … and fits her perfectly.

Marine Sergeant Jackson Connor knows that relationships don’t work for men in the military. He’s living proof of that. But when a steely-eyed temptress in a flak jacket, who carries her moral cause in front of her, crosses his path, he’s furious, curious, and all kinds of in-lust.

* * *

A grown-up love story about two people who aren’t looking for love, but realize how precious it is when they find it. They don’t play games and there are no stupid misunderstandings, just life standing in their way.

Can they compromise? And what does that look like in a modern relationship between two driven people?

Assignment Vs deployment.

They’re always traveling in different directions. What relationship can survive that?

A whole generation was growing up knowing only despair, death and destruction. How could there be lasting peace when children were encouraged to carry guns? How could life return to normal when these children had never experienced it? The problem seemed too big, too difficult, too impossible to solve.

And here and now, we were all suffering the effects of lives lived in hate.
Doctors and nurses worked with strained detachment as they attempted to triage a thousand people at once. Chaos was too polite a word for everything that I witnessed.
“Can I help?” I asked, a nurse rushing past.
She raised her shoulders in a helpless shrug, then pointed at a teenage girl who had a wound on her leg, bright red pooling around her.
“Apply pressure,” she shouted as she ran toward a child whose robes were dark with blood.
“Then what?” I yelled after her.
“Pray!” she shouted over her shoulder.
I turned to the girl whose jet-black eyes watched me without emotion. She’d wadded her dress, pressing it against the wound while blood soaked into the sand around us. I pressed down on her leg, trying not to gag as blood seeped between my fingers.
All around me, people were crying and begging for help, most of them young, so young. I knew that over half of the refugees at this camp were children, but seeing them like this…
I stayed with the girl, helpless to do anything except apply pressure to a wound that wouldn’t stop bleeding. I pressed down, pressed down, and I talked to her—trivial nonsense that meant nothing, important things that meant everything. I told her about Jackson. I told her all about the man who’d stormed his way into my life, his eyes blazing. I told her my hopes and fears, and when I’d told her everything I could think of, I prayed, reciting Bible verses that I’d last heard at my father’s funeral.
She didn’t understand me, of course, but maybe she understood the tone. Maybe she knew that I was praying for her.
And finally the blood flow slowed and I stopped talking. There was nothing more to say because the girl was dead, her dark eyes open and accusing.
And what could I do? I wasn’t a doctor, I wasn’t a nurse. I wasn’t even a fighter. All I could do was write about what I’d seen and heard, said and done, and hope that somebody cared. Maybe even someone who cared enough to help end the madness.
But when hatred is your birthright, hope seems a very long way away, and I wondered if God had heard my prayers.







Jane is a writer of contemporary romance fiction, known for thoughtful stories, often touching on difficult subjects: disability (DANGEROUS TO KNOW & LOVE, SLAVE TO THE RHYTHM); mental illness (THE EDUCATION OF CAROLINE, SEMPER FI); life after prison (LIFERS); dyslexia (THE TRAVELING MAN, THE TRAVELING WOMAN).
She is also a campaigner for former military personnel to receive the support they need on leaving the services. She wrote the well-received play LATER, AFTER with former veteran Mike Speirs. (https://www.youtube.com/watch?v=hk1CyB8c0xA )





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Sunday, October 1, 2017

Battle Scars by Jane Harvey-Berrick


 










From the dusty plains of Afghanistan to the sleek corridors of the New York Times, journalist MJ Buckman seeks the truth, the whole truth, and nothing but the truth. What she doesn’t expect to find is a man who’s her complete opposite … and fits her perfectly.

Marine Sergeant Jackson Connor knows that relationships don’t work for men in the military. He’s living proof of that. But when a steely-eyed temptress in a flak jacket, who carries her moral cause in front of her, crosses his path, he’s furious, curious, and all kinds of in-lust.


* * *

A grown-up love story about two people who aren’t looking for love, but realize how precious it is when they find it. They don’t play games and there are no stupid misunderstandings, just life standing in their way.

Can they compromise? And what does that look like in a modern relationship between two driven people?

Assignment Vs deployment.

They’re always traveling in different directions. What relationship can survive that?

































Jane is a writer of contemporary romance fiction, known for thoughtful stories, often touching on difficult subjects: disability (DANGEROUS TO KNOW & LOVE, SLAVE TO THE RHYTHM); mental illness (THE EDUCATION OF CAROLINE, SEMPER FI); life after prison (LIFERS); dyslexia (THE TRAVELING MAN, THE TRAVELING WOMAN).

She is also a campaigner for former military personnel to receive the support they need on leaving the services. She wrote the well-received play LATER, AFTER with former veteran Mike Speirs. (https://www.youtube.com/watch?v=hk1CyB8c0xA )








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Monday, March 20, 2017

One Careful Owner by Jane Harvey-Berrick




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Take me, all of me, broken and in pieces, or say to hell with me.”

WARNING!
This book will break your heart!
From the best-selling romance author of THE EDUCATION OF SEBASTIAN comes a sexy, heart-breaking and heart-warming story about one man and his dog. (Standalone)

Alex is lost and alone, with only his dog, Stan for company. He doesn’t expect kindness from anyone anymore, but sometimes hope can be found in the most unlikely places. He has a second chance at happiness, but there’s a dark side to Alex, and a reason that more than one person has called him crazy.
Single mother Dawn is doing just fine. Except that her ex- is a pain in the ass, her sister isn’t speaking to her, and her love life is on the endangered list.
At least her job as a veterinarian is going well. Until a crazy-looking guy arrives at her office accompanied by an aging dog with toothache. Or maybe Alex Winters isn’t so crazy after all, just … different.
Dawn realizes that she’s treated him the same way that all the gossips in town have treated her—people can be very cruel.

Contains scenes of an adult nature.

This is a standalone novel with no cliffhanger.









“I had a really nice time today, Alex. We both did.”

He nodded slowly, seeming to ponder my words.

“Nice. Nice?”

“You don’t like that word?”

His reply wasn’t acerbic, if anything, he sounded thoughtful.
“I haven’t had a whole lot of nice.”
I wondered if I should take his words as an opportunity to dig deeper, but he seemed more closed off now and a little sad, and I didn’t want to spoil such a lovely day.
“Nice is good,” I agreed evenly, and was happy when he forced a small smile. “Thank you—for everything.”
I leaned across to kiss him on the cheek, surprised by my own boldness. His eyes widened and he sucked in a quick breath.
Was the world still spinning or had time frozen as we sat there, creatures in the dark our only witnesses?
Is love a disease? An affliction? Or is it something catching? Can you catch love, can you hold it in your hands, can it be communicated like a plague? Or is it like an infectious laugh that makes your eyes water and your stomach hurt, even though the joke isn’t funny?
I’d begun to believe I was immune to love—the kind that exists between a man and a woman. Instead, I’d been gifted an ocean of love for my daughter. I thought perhaps that had filled me full, leaving no room for other love. Other loves.
My lips tingled from the roughness of his day-old stubble.
And is it love when you want someone’s smile as much as you want their body? When their laughter softens your words to a prayer?
My heart began to race.
Or is it sheer animal lust, a torrent of hormones assaulting your blood, heating you from the inside out?
He reached out to touch me, questions in his shadowed eyes as he cupped my cheek. I sighed and leaned into him, eyelids fluttering.
My mother always says it’s the softness of men that she loves most, because it’s at the center of them. Their outsides are hard with muscle; their bodies large, larger than hers—or mine—heavier, stronger. So when a man’s touch is soft, when his fingers drift across your skin like sunbeams, then you’re seeing into his soul.
I never understood. I never believed her.
Until now.
So gently, so very gently, he pressed his dry lips against mine, and I wrapped my arms around his neck, kissing him back.
He tasted of coffee, and he smelled like sunshine and pine forest.
Gentleness turned to want, and want turned to need, and I thought my mother was wrong. I wanted to feel the strength of his body surrounding me, on top of me. I wanted to feel his hardness against me, inside me. I was wearied by supporting the weight of my family alone. I wanted someone to carry me. For just a little while. A single moment.
The wooden arm of the chair pressed into my ribs as I leaned across, and I tried to ignore it. But Alex lifted me onto his lap, shocking a gasp out of me that ended with a soft laugh, because maybe he’d read my mind, because maybe he wanted the same things I did. And then we were kissing again. Again and again for the longest time, hesitance turning to urgency, and long languid kisses to heated mouths and hot sighs.
My fingers fumbled to find the hem of his shirt as I floundered my way down his chest, sliding my palms across warm skin that left shivers in their wake. I started pushing the material upward, and Alex leaned forward and dragged the shirt off, tossing it to the ground impatiently.
All day, I’d longed to touch, yearned to taste, feared to want. I was tired of caution, weary of wading through life alone. If this was just one night, I’d celebrate it forever, and if it was more … well, that was a bridge still to be crossed, a land waiting for discovery.
My hands swept down his back, reading his skin with my fingers as if sight didn’t exist, while we continued to kiss, tongues tasting, learning and teaching. I gripped his biceps, my fingers digging into the ridge of muscle, shuddering with pleasure as he cupped my breast with one hand, the other anchored behind my back to stop me from falling.
Too late.
I’d already fallen for Alex Winters, man of mystery, animal lover, gentle soul, wounded warrior in the battle of life. Or maybe that’s just life. We’re all survivors, one way or another.



Jane is a writer of contemporary romance fiction, known for thoughtful stories, often touching on difficult subjects: disability (DANGEROUS TO KNOW & LOVE, SLAVE TO THE RHYTHM); mental illness (THE EDUCATION OF CAROLINE, SEMPER FI); life after prison (LIFERS); dyslexia (THE TRAVELING MAN, THE TRAVELING WOMAN).
She is also a campaigner for former military personnel to receive the support they need on leaving the services. She wrote the well-received play LATER, AFTER with former veteran Mike Speirs. (https://www.youtube.com/watch?v=hk1CyB8c0xA )




Friday, June 24, 2016

Luka (The Rhythm #2)
by Jane Harvey-Berrick



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I'm not a good man.
I'm not a bad man.
But I've made some bad mistakes, made the wrong choices.
Who hasn't? But the consequences are tearing us apart.

I love two people.
I love them differently.
The world tells me I have to choose. Why? Why do I have to choose?
Loving hurts. Dancing heals.

Love makes you soar, makes you fly and sets you free—and then it lets you freefall until you're smashed and bleeding on the ground. Ultimately, love is the worst thing that can happen to a human being.

Im my opinion.
I love two people.
I love them differently.
One is a man.
One is a woman.
And they are brother and sister.

**** A stand alone novel in the best-selling Rhythm Series. ****








“Two minutes to curtain,” called out the stage manager.
We all hustled to take our places for the first number, and Ash walked with Laney as she wheeled herself to a spot where she could watch from the wings.
I felt a shiver of anticipation skitter across my skin, and I stretched my arms over my head before shaking them out, keeping flexible, keeping moving.
“God, I’ll never get enough of this,” whispered Sarah. “I hate it and I love it.”
I knew exactly what she meant. The nerves never really stopped, but the second I stepped on stage, adrenaline and muscle memory took over. My body would respond before my brain felt the fear of dancing in front of a thousand strangers.
I could hear the audience, hear their breaths, feel their excitement, feel the heat rolling forward from the press of bodies.
And then the house lights sank and the theater dropped into darkness, the electricity of expectancy lighting a fuse.
Al, the conductor, tapped his baton, and there was a collective breath as the band prepared to play, fingers hovering above keys and strings, the drummer poised, tension in his arms.
Then the music blasted out in an explosion of sound and light, and I was on stage, alive, powerful, doing what I was born to do.
I became the role, I lived the dance, blood pounding through my veins, my muscles coiled and released as I lunged and leapt, my arms sweeping through the space around me, filling it with spirals of strength and emotion.
Nothing could beat this feeling, this intensity, this desire to drink from the well of life.
And it was magnificent.
For a split second, I caught Ash’s eye, and we shared something that only another dancer can understand—a connection, an emotion so fleeting, I could have dreamed it.
I feel it too, brother.
Two hours later, we stood bathed in sweat under the bright stage lights, smiles on our faces and tears in our eyes, soaking up applause as the crowd rose to their feet, cheers and whistles soaring above the roar. My chest heaved from the exertion, but also from the deep emotion that dancing always brought to me, and I knew that everyone on this stage felt the exact same way.
Sarah stood next to me, tears running down her face, happy tears; tears of achievement and joy; tears of satisfaction and sorrow that it was all over. The end of a performance was a birth—the memories of the audience would live on—and a death, too, as another show ended. So tonight, we were celebrating and grieving.
“I’m going to miss this so fucking much,” she sobbed, staring up at me, then out at the cheering crowd. “God, I’m going to miss you, Luka, you bloody great hunk of sexy Slovenian.”
“I’ll miss you too, buča,” I said sincerely, leaning down to kiss her cheek, tasting the salt of her tears.
All the dancers linked hands, raising our arms in the air as we took our final bow. Ash stepped forward, looking down at the band and applauding them, too. Then he clasped his hands together and pressed them to his heart, before waving to the audience and leaving the stage.
Yveta, Gary and Oliver stepped forward with me and Sarah to take our bows as co-leads, then we too left the stage.
And it was all over.
The applause drained away as the curtain fell for the last time and the house lights came up.
Then it was the slow descent to normalcy as we peeled away the roles we’d played, along with our costumes, wigs and makeup.


What can I say about Jane Harvey-Berrick other than she's BRILLIANT! I have never met one of her stories that I didn't love. Every character is so unique, every story is so well written that sometimes I don't realize that I'm just the outsider, that I'm not actually involved in the story, but that's exactly how she makes me feel!

I honestly didn't know what to expect when I started this story. I knew it would involve dancing because we already met Luka in Slave To The Rhythm and I new it would involve love. It's hard to put into words what I went through while reading because I feel like I'm still processing everything. Luka is in London while the team takes a break from Slave and meets someone. He's always made it perfectly clear that he is bi and never apologizes for it. He's never even thought about getting into anything serious with anyone but things seem to progress with his current lover. Just when he thinks he's ready for the next step his life is blown wide open.

I love that through it all his friends from Slave, like Ash and Laney are always there for him. He can call upon them whenever he needs an open ear, or open heart for that matter. The struggle that Luka goes through is one that not a lot people go through and it's utterly heartbreaking.

This is such a beautiful story about love and lose. It shows that it's ok to move on and still live! Live fully, and boldly. My heart is still with this story and I think it always will be. Luka captivated me from the beginning to the very last word.

5/5 Fangs.

Complimentary copy was provided in exchange for an honest review.


Jane is a writer of contemporary romance fiction, known for thoughtful stories, often touching on difficult subjects: disability (DANGEROUS TO KNOW & LOVE, SLAVE TO THE RHYTHM); mental illness (THE EDUCATION OF CAROLINE, SEMPER FI); life after prison (LIFERS); dyslexia (THE TRAVELING MAN, THE TRAVELING WOMAN).
She is also a campaigner for former military personnel to receive the support they need on leaving the services. She wrote the well-received play LATER, AFTER with former veteran Mike Speirs. (https://www.youtube.com/watch?v=hk1CyB8c0xA )